Custom T Shirts ? First choose a shirt, any shirt. We'll ask you the color you'd like, and off you go. Get started in Designer. With our handy Online Design Tool, you can create almost anything you envision. Sky's the limit! Type a message in the. Even add a graphic or photo. You can design one side only, or both front and back. Our Online Design Tool makes the whole process quick and easy. Explore more on Hero. But–if at any time you need help, a real- live expert is just a click away (in that little green box on the left of the screen). Help is available Mon.- Fri. And, if you like, you can even ask us to view your design and provide technical assistance to help you achieve exactly the look you are striving for.. Harry Potter and the Sorcerer's Stone (2. YIFY subtitles. I enjoyed this movie immensely. There was so much anticipation leading up to its release, I simply enjoyed the experience of being there. Having read all four books in the series a few times each, I am overly familiar with the events in the story. As I watched the movie, my continuing thought was . Indeed, many classic children's movies, like . But these are exceptions; in my experience, most children's movies reveal their weaknesses in how they diverge from the books upon which they're based. And much of what makes the Harry Potter phenomenon unique is that it is the first time in ages that a children's book, without a movie accompanying it, has generated this much popularity. According to an article I read a year ago, the universe of Harry Potter has become as real in the minds of youngsters and adults as that of a popular movie series like Star Wars. Therefore, it will be very hard for any film based upon it to compete with it. Harry Potter and the Sorcerer's Stone (2001) 1080p movie YIFY subtitles. Get the Latest Movie Reviews, Stills, Wallpapers, and Movie Stars at webindia123 movies.
In the minds of die- hard fans, any changes made to the story will be seen as desecrating the fantasy world that Rowling created. That's why it's easy to understand why the filmmakers were so reluctant to change anything. As a faithful rendering of the book squeezed into a two- and- a- half hour period, the movie is beautifully done. I don't have a single complaint about any of the actors, who successfully bring to life, with the aid of costume design and special effects, the many colorful characters from the book. My favorite character, the giant Hagrid, is played by Robbie Coltrane, and I say with no exaggeration that he is exactly how I imagined him while reading the book. It's as if they took the image in my mind and transferred it to the screen. While I had my own personal image of Snape (for some reason, I always imagined him as the head villain from another Chris Columbus film, . I usually expect to have words of criticism for some performances, but I just don't. The remaining adult actors, including Maggie Smith as Professor Mc. Gonagall and Richard Harris as Albus Dumbledore, are as good as they possibly could be, and the kids do an excellent job of holding their own against these veterans. Some have criticized Daniel Radcliffe for appearing too subdued in the title role, but that's exactly how the character is portrayed in the book: modest, unassuming, and laid- back. The kids who play Harry's two best friends are flawless. I had a lot of worries about the fact that it was being directed by Chris Columbus, whose entire directorial career so far has consisted of over- the- top slapstick films. I was pleasantly surprised that he did not direct the Harry Potter film in this way. Except for brief moments like the children's delayed reaction to a giant three- headed dog they encounter and Harry's swallowing the quaffle ball, there is nothing here to remind us that this film is directed by the same person who gave us films like . I would have liked to see a little more emotion on the actors' faces at certain times. Overall, however, his restraint works nicely in giving the film the kind of believability the book possesses. But much is left out. Harry's caretaker Uncle Vernon, a prominent character in the book, is given less attention in the movie than some of the bit characters. The gently satirical aspects of Hogwarts School aren't in the movie at all. We never see the ghostly history teacher who died several years back but kept on teaching. Lines like the following- -. The movie does include platform nine- and- three- quarters, though the way the kids disappear into the wall isn't as mysterious as I had visualized, and the sorting hat is there, minus the great poem explaining the differences between the four schools. Not that I'm blaming the movie for omitting some details. Some things from the book would not have translated easily to the screen, and it would have been very difficult to stick everything in. Had Columbus done so and allowed the film to be as long as necessary (eight hours, maybe?), like a BBC miniseries, the film might have been a masterpiece, but few kids would ever have had the patience or attention span to sit through it. The problem is that the amusing details are much of what make Harry Potter such a special story. A whole universe is created in Rowling's series, in which a magical society exists within our own ordinary . The way magic is treated in her books, not as something medieval but as very similar to the way our own contemporary world works, is a large part of their charm. Take away these details, and you're left with a fairly conventional tale of a young wizard fighting an evil sorcerer. Although the audience I was with broke into applause as soon as the movie ended (something I've never seen happen before, though I don't go to the theater that often), some people have complained about the movie dragging at certain points. I didn't have that problem, but, as I said, I wasn't really trying to get involved in the movie's story. After thinking about it, it does seem like parts of the movie fail to convey a sense of urgency. Why should this be? I never felt that way when reading the books, and this is without a doubt the very same story. The answer, I think, is that the books portray much of Harry's anxiety in trying to succeed in school (for if he's kicked out, he'll go straight back to his horrible uncle) and fit in with the kids there. The movie doesn't tap into these anxieties enough, so why should we care whether he wins the Quidditch match (other than that he survives in one piece) and gets through the school year? The only real suspense in the movie after he arrives at Hogwarts comes from the story of Lord Voldemort returning, which in the book is almost secondary. Harry's adventures getting along in the school are fun and interesting, but as they are presented to us in the film, there isn't enough tying them all together. What we have here is a serviceable dramatization of a wonderful children's series, but it doesn't entirely succeed in standing on its own. Perhaps it should have diverged from the book just a little, to compensate for the difficulties in translating some of the book's delights to the screen. In its current form, it's almost like a preview of the book. Its lack of fullness, and its dependence on the book, might actually increase the popularity and endurance of Rowling's series by making those who see the film yearn for more, which they can get from the real thing. Nudity in film - Wikipedia. Nudity in film is the presentation in a film of at least one person who is nude, partially nude or wearing less clothing than contemporary norms in some societies consider . Since the development of the medium, inclusion in films of any form of sexuality has been controversial, and in the case of most nude scenes has had to be justified as being part of the story, in the concept of . In some cases nudity is itself the object of a film or is used in the development of the character of the subject. In some cases, nudity has been criticized as . Many actors and actresses have appeared nude, or exposing parts of their bodies or dressed in ways considered provocative by contemporary standards at some point in their careers. Nudity in film should be distinguished from sex in film. Erotic films are suggestive of sexuality, and usually contain nudity, though that is not a prerequisite. Nudity in a sexual context is common in pornographic films, but softcore pornographic films generally avoid depiction of a penis or a vulva. A film on naturism or about people for whom nudity is common may contain non- sexual nudity, and some other non- pornographic films may contain very brief nude scenes. The vast majority of nudity in film is found in pornographic films. Nude scenes can be controversial in some cultures because they may challenge some of the community's standards of modesty. These standards vary by culture, and depend on the type of nudity, who is exposed, which parts of the body are exposed, the duration of the exposure, the pose, the context, and other aspects. Regardless, in many cultures nudity in film is subject to censorship or rating regimes which control the content of films, with the intention of limiting content that is deemed by the classification authorities or the movie industry, or both, to be harmful or undesirable, morally or otherwise. Many directors and producers apply self- censorship, limiting nudity (and other content) in their films, to avoid external censorship or a strict rating, in countries that have a rating system. For example, The Blue Lagoon (1. The relationship between a painter and his model, who traditionally poses in the nude, is the context of a number of films. In La Belle Noiseuse (. Similarly, in Titanic (1. Kate Winslet poses nude for Leonardo Di. Caprio. These films show the close relationship between film and the traditional art nude in art in films such as The Adventures of Baron Munchausen (1. Uma Thurman poses as Botticelli's The Birth of Venus, and Goya in Bordeaux (1. Maribel Verd. Another scenario for nudity in film involves scenes with a nude swim, also called skinny dipping. Toplessness in film is regarded by some as partial nudity. Nude photography before cinema. Devices used include use of skin- tight flesh- colored bodystockings to simulate nudity or vital parts to be covered by long hair, for roles such as Lady Godiva. She is nevertheless seen with her top covered in surviving stills of these sessions. At least one later topless photograph of the young Bernhardt made in 1. These nude sessions were not meant for outright public viewing but for the encouraging of theatrical employers or personal guests. Thus nude photos of women like Menken and Bernhardt are known only to scholars and perhaps theater buffs. The photos would then be played one after the other giving the illusion of movement. Sometimes the same sequence would be filmed using several cameras. Many of Muybridge's photographic sessions using the zoopraxiscope had nude anonymous models, both female and male. Production of such films commenced almost immediately after the invention of the motion picture. The earliest film containing a simulated nude scene appears to be the 1. After the Ball by French director George M. Two of the earliest pioneers of such erotica were Frenchmen Eug. Kirchner (under the name . The 7- minute 1. 89. Le Coucher de la Mari. Schwarzer formed his Saturn- Film production company which between 1. Herrenabende). These films were promoted as erotic and artistic, rather than pornographic, but in 1. Saturn was dissolved by the censorship authorities and its films destroyed. Filmarchiv Austria has included four of Schwarzer's works on the Europa Film Treasures site: Das Sandbad (1. Baden Verboten (1. Das Eitle Stubenm. In depicting tormented souls in hell, there are frequent glimpses of nude male and female actors (including the first male frontal scenes). Remade many times, the U. S. Munson appeared nude again in a similar role in the 1. Purity. A feature of these films was that Munson was a tableau vivant, not being required to move, and only her backside and breasts were in view. Annette Kellerman, the famous Australian swimming star, appeared fully nude in an active role in Fox's A Daughter of the Gods in 1. Though shot from the front, most of Kellerman's body is covered by her long hair. A couple of her films from 1. Australia. Several early films of the silent era and early sound era include women in nude scenes, presented in a historical or religious context. One such film was the anticlerical. Hypocrites (1. 91. Lois Weber, which contained several sequences with a nude Margaret Edwards appearing (uncredited) as a ghostly apparition representing Truth. Her scenes were created using innovative traveling double exposure sequences which made her appear as a semi- transparent spirit. In 1. 91. 7, Fox produced the lavish Cleopatra in which Theda Bara wore a number of risqu. Nell Shipman appeared nude in the Canadian film Back to God's Country (1. Fox produced The Queen of Sheba in 1. Betty Blythe, who displayed ample nudity even when wearing 2. Is Your Daughter Safe? A compilation of medical documentary films and stock footage of nude scenes dating back to the 1. Hula (1. 92. 7) is a feature film of this period in which then- popular star Clara Bow does a nude bathing scene. Exploitation short subjects (three to fifteen minutes in length) with comedic plots and frequent nudity were also produced in the silent era. A few have survived to the present such as Forbidden Daughters (1. Albert Arthur Allen, Hollywood Script Girl (3 minutes, 1. Uncle Si and the Sirens (8 minutes, c. These were the forerunners of the . Years later, when the Hays Code came into force, these films were considered too obscene to be reshown. Most of these films are now lost. In France in the 1. Josephine Baker performing exotic dance routines. The 1. 92. 2 Swedish/Danish silent horror film H. The film was banned in the U. S. The 1. 92. 9 Russian film Man with a Movie Camera by Dziga Vertov featured nudity within the context of naturism, including live childbirth. U. S. Several Hollywood films produced in the 1. Various groups objected to these features on moral grounds, and several states set up film censorship boards, arguing that such content was obscene and should be banned. Under pressure, the Motion Picture Association of America (MPAA) created its own censorship agency, the Hays Code, which brought an end to nudity and risqu. The Code was adopted in 1. At the same time, the Catholic Legion of Decency was formed to keep an eye on the morals conveyed in films and indicate its disapproval by . In 1. 95. 8, the New York Court of Appeals ruled, in the context of prohibition of screenings of films, that a film that merely contains nudity was not obscene. Until the 1. 98. 0s, male nudity was rarely shown on screen. Though female nudity was routinely treated with respect and solemnity, male nudity, when it finally found its way onto the screen, was generally treated humorously and mockingly. Today, though nudity in film is much more common, its presence in dramas is still expected to be justified on artistic grounds. Pre- Hays Code Hollywood, 1. In 1. 93. 0, the Motion Picture Association of America drew up the Motion Picture Production Code, also known as the Hays Code, to raise the moral standards of films by directly restricting the materials which the major film studios could include in their films. The code authorized nudity only in naturist quasi- documentary films and in foreign films. However, the code was not enforced until 1. After the end of silent films, movies with sound that included brief glimpses of nudity appeared as early as 1. All Quiet on the Western Front. De. Mille, later known as a family entertainment specialist, included several nude scenes in his early films such as The Sign of the Cross (1. Four Frightened People (1. Cleopatra (1. 93. Other filmmakers followed suit, particularly in historical dramas such as The Scarlet Empress (1. Bird of Paradise, directed by King Vidor in 1. Dolores del R. This was often done by editing in stock footage or fabricating new scenes with ethnic- looking stand- ins. Examples of docufiction include Ingagi (1. Forbidden Adventure in Angkor (1. Cambodia documentary with scenes added, for dramatic effect, of two explorers and a dozen topless female bearers, incongruously played by African- American women. The Sea Fiend (1. Devil Monster (1. South- Sea drama spiced up with stock footage inserts of half- dressed native girls. Other films of questionable authenticity in this subgenre include Moana (1. Trader Horn, The Blonde Captive, Tabu (all 1. Goona Goona aka Kriss, Isle of Paradise, Virgins of Bali, Bird of Paradise (all 1. Gow aka Gow the Killer (1. Cannibal Island in 1. Inyaah, Jungle Goddess (1. Legong: Dance of the Virgins (1. Love Life of a Gorilla (1. Mau- Mau (1. 95. 5), and Naked Africa (1. Due to the diaphanous or sheer nature of 1. As a result, when the Hays Code came into force in 1. Hays Code Enforcement Hollywood, 1. It has also been called the first on- screen depiction of a female orgasm. The restrictions of the production code were strictly enforced from 1. United States produced films were also under the scrutiny of moral guardians, such as the Catholic Legion of Decency, which had an influence on the content and subject matter of films in the 1. They were also subject to constraints of state censorship authorities.
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